NYTimes picks for best books of 2007. How many have I read? And then there's the entirely different question, how many do I own?
Full-time book critics
approach recreational reading with a head start. We’re already reading
for pleasure. We are immersed in books we find appealing, since the
nearly 300 books chosen for the daily reviews in The New York Times
have been culled from tens of thousands of volumes published each year.
Some are chosen for their self-evident importance. Some are terrific
sleepers. Even if a book’s foremost quality is its awfulness, a review
in these pages means there’s something about it that one of us found
noteworthy.
But we have favorites. And they meet criteria that any reader will
recognize. These are the books that are disappointing only because they
have to end. They’re the ones we mention to friends. They’re the ones
worth taking on vacation, and they are well executed, whatever their
genre or subject matter. They are what we’d read even if Michiko
Kakutani, William Grimes and I weren’t designated readers.
The 10-favorite lists that follow are not 10-best lists. They’re not
based strictly on merit. They don’t cite books we admired in the
abstract but didn’t particularly like. Nor are they based on
comprehensiveness; with so many books afoot, none of us can hope to
have a complete overview. Each of us has stayed within the confines of
our own reviews published in 2007 and picked the 10 books we covered
most avidly — though there is one exception. Because Times critics do
not review the work of their Times colleagues, Michiko Kakutani did not
review Tim Weiner’s “Legacy of Ashes.” She recommends it nonetheless.
Think of these as lists that leave off the broccoli, figuratively speaking — though we have nothing against broccoli at all. (Michael Pollan’s
new pro-vegetable manifesto, “In Defense of Food,” might be on my list
were it not for a technicality: Its publication date is Jan. 1, 2008.)
Our tastes and interests are sufficiently different for there to be
only one point on which we readily agree: As it becomes possible to
rush books into print ever more hastily, editing ain’t what it used to
be. “Finding Faith Without Fanatacism” is a misspelled subtitle that
actually found its way onto the front cover of a hardbound 2007 book
(“You Don’t Have to Be Wrong for Me to Be Right,” by Brad Hirschfield,
published by Harmony Books; it has since been corrected). Though there
are many candidates for the honor of Year’s Sloppiest Book, the
wall-to-wall bloopers in “Pearl Harbor,” a novel by Newt Gingrich
and William R. Forschten, warrant special “wretching noises” from us
all. The books that follow, in alphabetical order by author, were, in
the “Pearl Harbor” vernacular, “all ladened with” better things. —JANET
MASLIN
Michiko Kakutani
HOUSE OF MEETINGS by Martin Amis.
This harrowing, deeply affecting novel recounts the story of two
brothers interned at one of Stalin’s slave labor camps, taking the
reader on a frightening journey deep into the heart of darkness that
was the Soviet gulag.
THE SECOND CIVIL WAR: HOW EXTREME PARTISANSHIP HAS PARALYZED WASHINGTON AND POLARIZED AMERICA by Ronald Brownstein. A
veteran political reporter provides a shrewd election-year assessment
of the growing partisanship in American politics, looking at the roots
of this polarization and its alarming consequences for the country at
large.
THE YIDDISH POLICEMEN’S UNION by Michael Chabon.
A clever, engaging and fully imagined epic cum detective story based on
this historical what if: What if a temporary safe haven for Jews had
been created in Alaska in the wake of the Holocaust?
NIXON AND KISSINGER: PARTNERS IN POWER by Robert Dallek. A fascinating portrait of President Richard M. Nixon and his chief foreign policy honcho, Henry A. Kissinger,
a book that not only deftly deconstructs their emotionally fraught
relationship and their policy making on Vietnam, the Middle East and
China, but also underscores the historical lessons of their decisions
and missteps.
THE BRIEF WONDROUS LIFE OF OSCAR WAO by Junot Díaz.
A dazzling debut novel that unfolds from a comic portrait of a
second-generation Dominican geek into an unnerving meditation on
Dominican history and the relationship between political and personal
dreams and losses.
THE UNKNOWN TERRORIST by Richard Flanagan.
This Tasmanian novelist has written a dark, unsparing thriller about a
case of mistaken identity, using his Hitchcockian heroine’s plight as a
launching pad for an examination of a post-9/11 world in which fear is
a valued commodity for terrorists and governments alike.
WHEN A CROCODILE EATS THE SUN: A MEMOIR OF AFRICA by Peter Godwin.
A haunting and deeply evocative memoir about a writer’s discoveries
about his father’s hidden past and his family’s life in Zimbabwe, a
country that has seen its bright post-revolution dreams of a
multiracial society give way to violent hatred and strife.
SCHULZ AND PEANUTS by David Michaelis.
A revealing and sympathetic new biography of the creator of “Peanuts,”
which highlights the autobiographical sources of the cartoonist’s art:
how Charles M. Schulz
gave his own wishy-washiness and determination to Charlie Brown, his
sarcasm and anger to Lucy, his dignity and “weird little thoughts” to
Linus and his frustrations and daydreams to Snoopy.
THE NINE: INSIDE THE SECRET WORLD OF THE SUPREME COURT by Jeffrey Toobin.
A vivid narrative of the Supreme Court’s recent history and an intimate
portrait of the individual justices that shows how personality,
judicial philosophy and personal alliances can inform decisions that
affect the entire country.
LEGACY OF ASHES: THE HISTORY OF THE CIA by Tim Weiner. A timely, compelling and prodigiously researched history of the C.I.A.
by a reporter for The New York Times that chronicles an alarming litany
of intelligence blunders and bungled operations, from the agency’s
creation after World War II through the cold war to its recent failures
in the prelude to the Iraq war.
Janet Maslin
CHRISTINE FALLS by Benjamin Black. A broodingly atmospheric period piece and a credit to its author, John Banville, who needn’t have used a pseudonym.
AWAY by Amy Bloom. Alive with incident and unforgettable characters, this brief but epic novel illuminates as brilliantly as it entertains.
THE LETTERS OF NOëL COWARD edited by Barry Day.
Fizzy yet eloquent correspondence, toughening over time, from a man who
once accurately wrote to his mother, "You’ve got a fascinating youth
for a son, my dear."
HEART-SHAPED BOX by Joe Hill.
The year’s best horror debut, with fantasy used to witty, shockingly
good effect — by a writer who could easily be compared to Stephen King, even if Mr. King were not his father.
EINSTEIN: HIS LIFE AND UNIVERSE by Walter Isaacson.
The great man’s geopolitics, faith, cultural impact, philosophy,
amorous affairs and superstar status are all part of this admirably
lively portrait.
UNCERTAINTY: EINSTEIN, HEISENBERG, BOHR AND THE STRUGGLE FOR THE SOUL OF SCIENCE by David Lindley.
A scientists’ showdown, articulately explained and well described by
its subtitle. This has been a good year for Einstein, that’s for sure.
WHAT THE DEAD KNOW by Laura Lippman.
In time-honored mystery tradition this writer challenges her readers
with clues hidden in plain sight. The return of a long-missing person,
possibly an impostor, stays tricky through 400 serpentine, carefully
nuanced pages.
FIND ME by Carol O’Connell.
A road trip tracking the hard-boiled adventures of Kathy Mallory, the
tough, obstinate heroine of an outstandingly clever crime series.
JOURNALS: 1952-2000 by Arthur Schlesinger Jr.
Both showstopping and door-stopping: a half-century’s worth of
political insight and party-hopping from a great and tireless gadfly.
I’LL SLEEP WHEN I’M DEAD: THE DIRTY LIFE AND TIMES OF WARREN ZEVON by Crystal Zevon.
The Los Angeles ’70s rock scene, quite literally in a nutshell: an oral
history of its most caustic and unforgettable character.
William Grimes
THE DAY OF BATTLE: THE WAR IN SICILY AND ITALY, 1943-1944 by Rick Atkinson. The
second volume of “The Liberation Trilogy” follows American and British
forces from North Africa to Rome in a triumphant work of narrative
history.
THE INVISIBLE WALL by Harry Bernstein.
The author, now in his 90s, recalls his impoverished boyhood in a
British mill town, on a street where Jews lived on one side and
Christians on the other.
LONG TIME LEAVING: DISPATCHES FROM UP SOUTH by Roy Blount Jr. A collection of witty, insightful and offbeat essays on Southern culture, from shortening bread to Memphis Minnie.
FINAL EXAM: A SURGEON’S REFLECTIONS ON MORTALITY by Pauline W. Chen.
A young surgeon’s thoughtful inquiry into the care of terminally ill
patients, and the fears that both doctors and patients must face.
HOUSE OF HAPPY ENDINGS: A MEMOIR by Leslie Garis. A lyrical, melancholy evocation of the author’s childhood and her father’s descent into madness.
AGENT ZIGZAG: A TRUE STORY OF NAZI ESPIONAGE, LOVE, AND BETRAYAL by Ben Macintyre. A true-life thriller, the rollicking wartime adventures of Eddie Chapman, the least likely British secret agent.
YOUNG STALIN by Simon Sebag Montefiore. Digging
deep into previously unavailable archival material, the author paints a
detailed, convincing portrait of the future dictator as a wild, poetic
revolutionary and crime boss of the Caucasus.
TROUBLESOME YOUNG MEN: THE REBELS WHO BROUGHT CHURCHILL TO POWER AND HELPED SAVE ENGLAND by Lynne Olson.
Sharp portraits of the political outsiders who recognized the Nazi
threat early on and organized support for the anti-appeasement policy
championed by Winston Churchill.
THE DISCOVERY OF FRANCE: A HISTORICAL GEOGRAPHY FROM THE REVOLUTION TO THE FIRST WORLD WAR by Graham Robb. The
fractures behind the facade are sensitively traced, revealing France,
for most of its history, as a mosaic of regions, languages and cultures
united by only mutual incomprehension.
THE BOYS FROM DOLORES: FIDEL CASTRO’S CLASSMATES FROM REVOLUTION TO EXILE by Patrick Symmes. Through
Fidel Castro’s classmates at the elite Colegio de Dolores, a Jesuit
academy in Havana, the author tells, enthrallingly, the story of modern
Cuba.